2026NOTES / LOOKINGLONDON


JULIO LE PARC — exhibition view, Tate Modern, London, 2026

KEEPING
THE DOORS
OPEN

NOTES FROM LONDON / 2026


I don’t have a fixed visual language yet, and for now I am trying not to manufacture one.

Every encounter with a different kind of art seems to open another door. The challenge is to remain curious without staying permanently on the surface.

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2026PRINTMAKINGPROCESS     I    WARSAW


THROUGH
THE
PROCESS

ASP WARSAW PORTFOLIO / 2026


I don’t know whether printmaking will become a permanent part of my practice. That is precisely why I wanted to learn it.

For me, learning lithography and related techniques is less about choosing a medium than understanding enough to use different processes consciously.

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2025–2026PORTFOLIO / PROCESSASP WARSAW


SEVEN
MONTHS

ASP WARSAW PORTFOLIO / 2026


In October 2025, I gave myself seven months to prepare for the entrance exam at the Academy of Fine Arts in Warsaw. I had no previous formal art training.

This is the portfolio that came out of those seven months — a record of learning, experimenting and trying to understand what kind of work I wanted to make.


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INSTAGRAM                                            PRIVACYC 2026 MARCIN KOCH